Friday, 18 November 2011

PLANNING: SOUND


SOUND


Diegetic sounds

We plan to make all the sound for the video ourselves. For the diegetic sounds we will include a use of dialogue in the film and the sound effects present from objects you can see, for example this might be a smashing window or a character panting. We may re-dub some of the sounds in Logic Pro 9 which is advanced music editing software in order to maximise the effect of those sounds.



Non-Diegetic Sounds

We will make all these sounds ourselves again. We will use Logic Pro 9 to edit sounds, record our own samples and manipulate sounds we use from copyright-free sample packs. We can add reverb, distortion and other effects to make them suit the mood and at the same time provide the desired atmosphere. For example we could add lots of reverb to a pen hitting a cup to give a spacey, eerie feel to the setting,

Soundtrack

We will make the soundtrack on Logic Pro 9 using plugins, effects units and samplers. This allows us to have the freedom of matching the piece perfectly to the trailer, changing it wherever we want. We can also change the key, change chords and add notes whenever in order to correspond with the scenes on screen and level of energy present. This freedom is something that will benefit our trailer on the whole.

PLANNING: OUR FINAL TITLE AND FONT

We have chosen the title 'Higher' as it represents different aspects and attributions of the trailer. Higher can represent someones mind state, it can represent the hierarchy of the characters which is a key underlying concept as the runt youth is bossed around by a higher status and therefore leads himself into trouble. It also represents and relates to a key piece of dialogue we plan to have, when the runt youth is given an ultimatum, when he decides to work for the gangsters, the gangsters response is "your hired", obviously it has a different spelling and meaning but it will still be a clear relation.

We also like this font because it is simple, but gritty and descrete and the meaning requires audience research to understand it which helps us to keep them interested. This is something which represents our ideas and the idea of the criminal world beause criminals are always trying to hide something. As our production is not a comedy we want to avoid the idea of anything being humorous and this font avoids that by being edgy and mature. It can also relate to the personality of the characters as it is bold. We can edit the font in Adobe Photoshop to make it more unique or match it to a picture or theme we decide when designing a cover. We can use tints of other colours and maybe intertwine pictures with it.

We believe that it appeals to our demographic audience as it is simple and easy to understand. It doesnt defer attention from our genre either so people won't question it, they will understand it and think it is fitting. We asked several of our classmates and friends outside the classroom what their thoughts on this font were and these were some of the responses we recieved:

"Personally I like the font because it reminds me inception and other fims like that"

"The font looks scary like it's covering something up"

"I can imagine the font on a poster or advert at a bus stop"

These comments were very complementative to the group as they showed us other things it represents outside of the production which we also aim for in the long run such as using it in an advertising manner. This reassured us that we had chosen the perfect font.

Our font is also unique to the film as it is an external font which means it isn't a stock font built into to peoples computers, meaning it is more likely to be a new design



Our title can also compare to influential films of a similar genre such as "Snatch". As you can see the logo is very simplistic and easy to read. The simple design around the logo against a black background also looks very simple but very effective at the same time as it gives it a signiture look. This is an idea we can use to inspire our final title design.



Reservoir Dogs is also another film commonly associated with the genre which takes a different design idea but on a simple background and font. After looking at these two logos it is clearer to us we made a good choice with the font we have chosen.


PLANNING: FONTS

After narrowing down our font choices to the 5 previous, we then discovered a more suiting and appropriate font which we all think looks much better suited to our production. It is more simplistic in design as it is block lettering with fading lines, but this modern twist relates to other films from a similar genre, such as "Lock, Stock and Two Smoking Barrels" where the title is simple but unique to the film.

PLANNING: TITLE FONTS. 5 - "Salty"

This block like font is a bit more design heavy as it involves a heavy use of shadowing and tilt on the lettering. This makes it slightly tricky to understand but a few simple editing processes could eradicate this problem. As it is very simple however, there is lots of scope for a design and particular, recognisable design to be used on it. For example ‘Layer Cake” is spelt like “L4YER CAK3”. The digits relate to a feature of the film as they are car registration digits. It is now recognisable and that font idea reminds people of that particular film.

PLANNING: TITLE FONTS. 4 - "square-one-grunge"

This sans serif font is quite interesting as it is similar, and influenced by the computer game “Grand Theft Auto”. The game itself has a storyline which involves drugs, crime, police and car chases. all of these are connotations of productions we have looked at and we intend to use some of them in our own production. The fact that this neutral looking font is so fitting for that game, it will be fitting for our own production. We could further edit it in Photoshop to give it a unique and distinctive font, relating to, and reminding people of our own production. The font is also very edgy and we intend to produce some edgy, thrilling scenes.

PLANNING: TITLE FONTS. 3 - "hexagon"

This sans serif font is quite interesting as it uses a minimal, mysterious looking design to fill the letters. It looks very ‘crime’ and is very modern. It relates to simplicity of other films similar to our genre such as ‘Snatch’. Some letters, however are a bit tricky to see we would further edit and enhance the lettering in Photoshop when designing the full title if we were to use this font, but I think it could be very effective as it looks very similar. You would never see a font like this used on a chick flick for example.

PLANNING: TITLE FONTS. 2 - "awesome-java"

This font has a simple, but very effective design in terms of what we are trying to portray. It is quite neutral in terms of connotations but it has a retro, 80’s/90’s vibe to it. The extra lines add depth to it which makes it stand out and be that little bit more distinctive than others. I would say this font would relate to other films such as ‘Starsky and Hutch’ which is also a crime thriller. Therefore it suggests and shows where some of our influence has come from. ‘Lock Stock has a straight forward text but lightens it up by slanting it, this is straight forward but lightens it up with the extra lines and design.

PLANNING: TITLE FONTS. 1 - "bright-young-things"

This font is very modern and simple so it relates to our production as we want am modern take on an old idea. It also relates to older films of the similar genre, for example films such as ‘Snatch’, ‘Layer cake’ and ‘Lock, Stock’ have very straight forward sans-serif fonts. We were influenced by this as you can see by the lettering. The flickers that the font has give it an arty and creative edge and looks like smoke. Smoke comes from fire, cigarettes and other burning objects so it relates to fire and danger, another reason why it is appropriate for our genre.

PLANNING: FAVOURITE TITLES - EXPLAINED

Our Top 3 Film Titles


1) ‘HIGHER’ – this is a play on the word ‘hire’ as our film is based around a line we intend to use where the main character is 'hired' by gangsters. It fits the genre because it is quite inconspicuous and it will be clear to the audience that it has relevance once they watch it. As the word itself has several dictionary definitions, it leaves the reader thinking at a first glance. 'Higher' also has a slight drug reference as his is the typical scene we associate with gangster life.


After asking several people what they thought about it after first hearing it, they gave us several suggestions as a reply. They guessed that the film would include:


-A hierarchy or characters, one main villain or main ‘gangster’.


This relates to our film as their will actually be a distinctive powerful character which will stand out from the rest.


-Drug related


This also relates to our film as gangsters and crime thrillers usually have drugs as a centre point for storylines so we thought it would be important to involve this, it is also an easy and simple prop to use.






2) ‘MANTLE’ – this name began with the idea of crossing over two words and ideas. As our film is going to be British and northern we always had the idea of involving the word ‘Manchester/Madchester’ thus the part ‘Man-‘. When we were generating title ideas we also had the suggestion ‘Metal’, therefore we combined the two to produce ‘MANTLE’. This word, we feel is very fitting because of the way it has been designed and it also has its own connotations.


For example, ‘Mantle’ sounds and looks like ‘Mental’ which is a characteristic of the stereotypical gangster. It also sounds identical to ‘Mantle’ as in the earth’s mantle, this could connote that situations will heat up and there will be fire explosions or fast, sweaty chase scenes.






3) ‘NORTHERN SOUL’ – This name has lots of connotations and is very fitting for our film. It fits the industry, our location and the characters. We know it is from a retro era so we would make it modernised, but nowadays the idea of ‘Northern Soul’ is very much back to life with clothes shops and music events, therefore many people could relate to it.


Northern soul emerged from the 60’s in a mod era, in the mod era there was lots of conflict between other gangs such as punks, which can relate to the tension between groups of people in our own production.


Northern will be relating to our location of the Northwest.


Soul itself is a very mysterious and eerie word, this gives off negative connotations which gangster life may bring. The soul is seen as the centre of the body so is a prized possession of any human therefore would be something you want to protect, protection is a massive theme with the gangster scene so it can link to our production in that way.

PLANNING: POSSIBLE TITLES AND HOW THEY SUIT OUR GENRE

DUST
This title can have a reference of drug powder or dust associated with a car speeding off.

GANGS OF NORTH WEST
This is a direct reference to the location and area we are in. The 'gangs' part relates to the gangs in the film, giving the audience an insight of what to expect.

TINTS
This relates to the typical get-away car as tinted car windows provide secrecy and mystery.

SECOND HAND
This can relate to the group giving each other a hand in situations when they get into trouble.

NORTHERN SOUL
Again this has reference to location and the addition of 'Soul' makes it more mysteriuos and suggests a deep storyline.

HIGHER
This title can relate to drug culture and crime culture which are typical gangster associations. Higher can also relate to class and hierarchy which fits to our potential storyline.

THE MORE THE MERRIOR
This can be an ironic meaning as one group loses a member and the gangsters claim a new victim.

SMOKE
Smoke can relate to smoking and typical behaviour associated with gangster/crime culture. Smoke also indicates fire or danger usually.

MANTLE
Mantle is a cross breed between metal and mental. Metal is a material used to make most weaponry as it is tough and can cause damage. Mental is a characteristic associated with criminals so together they combine and make 'Mantle'.

MADCHESTER UNITED
This relates to an old saying from the early Manchester rave/new music scene where people were typically seen as 'mad'. Madchester United suggestes that a group of people from the region of Manchester are mad, and united together,

Thursday, 17 November 2011

PLANNING: COSTUME


In terms of costume we planned out two ideas for the two different concepts we came up with, one modern and one ‘retro’ and ‘old-skool’.


Modern:

-‘Gangster/s’ will wear smart suits with maybe the add accessory such as chain or watch

-Extras will be casually dressed people
-Victim/youth who steals will be a typical lower-class youth in a track suit





‘Retro/Old-Skool
-‘Gangsters’ will be identifiable with smart suits and youths will be wearign tyupical tracksuits and sportswear

-Victim will dressed also as a typical youth in a tracksuit
-Fake facial hair if we decide to use a retro theme

PLANNING: CAST AND CHARACTERS

We will be using our friends as the cast members. Several of our close friends have experience in the acting industry and have featured as extras on hit dramas on national television which credits our production very well. As they are close friends we can trust them and they will be reliable, which is an important factor when filming as they will listen to us, be on time and follow instructions as well as giving their own input.



We will be casting:

- 1-3 Gangster characters


















- 3-5 Youths














- 1 Camera man

- 1 Special Effects person

As a group we will be getting involved as characters, editors, cameramen and directors.
These roles can intertwine, for example a character acting as a youth may be able to operate the camera in a scene they are not in.

We then have a relatively large amount of people willing to take part which we can use as extras if needed.

PLANNING: LOCATION

IDEAS/POTENTIAL LOCATIONS

 
Rochdale is the hometown of half of the group and has lots or urban areas such as subways and derilict buildings. These kinds of settings would portray the feel and tone we plan to give out so we believe Rochdale will provide us with suitable settings and locations. The group members from Rochdale also live close to main roads so we can maintain the sense of reality by using them in some shots.
These are some locations we think we might like to shoot at:

•A market place or a location which can house some kind of clothing stock, preferably outside so there is room for things such as a chase scene and more of a scope in terms of filming.

• A garage for the hostage scene. This can be a house garage or an open warehouse space which is easy to disguise. By having a scene in a garage it adds reality. Therefore it is more serious and gripping as people can put themselves in their shoes. Aaron has a garage so we have this option open, it is also quite risky using a deirlict or abondoned building as there are other dangers or problems which could possibly occur such as trespassing.

• Typical British streets. This allows for our theme and genre to be applied. It will also make the film seem very English as we have very distinctive roads and houses as well as other background objects. This street below has connotations of britain with the pavements and no entry road signs, but it is cobbly and sloped which makes it more interesting and gives it a little bit more character.



• Bury Market is a place close-by with an ideal setting for the market scene we could travel to for that particular idea. By using a market stall rather than a shopping centre, it makes the actual act of stealing (part of the storyline) less 'aggressive' and allows the focus of the storyline to be around the gangsters as well.

PLANNING: PROPS


Baseball bat

This is a simple everyday
item which can be used as
a weapon. As many people
are likely to have a similar
object at home or atleast know
what it is, it makes it easy for the
audience to relate to








Market Stall

This picture shows a typical
market stall setting. This
setting/location is also a key
prop as it relates to a part of

the storyline.







• Car keys

These are a simple prop just relating
to the car. They could be used
in a simple action, for example
the gangster swinging them around
his finger for a 'cocky' look.


• Car

This is a picture of the 4x4 we
intend to use. I (Aaron) have
been restoring one which we can
use for the production and the
colour scheme/appearance matches
the genre.









Replica Gun

This is a picture of a replica stereotypical
gun. A gun is a key weapon and prop
in our production as it is a neccesity
in the gangster world. It also adds
danger and makes the mood more
intense when we can see the gun.

We know that the public and people who arent involved in the
production will no tknow that this is a replica so we must be wary
of the surroundings we use when we are using the gun (if we do).
We will include this in our risk assessment table later on in the blog.





• Coloured lighting


The lighting will be used for a particular
scene we have an idea for. The scene
involves a hostage tied up in a typical home
garage. The lighting will be used with
fog so that it looks intense and almost
represents the mind state of the victim.








• Fog machine


This is a unit we can use to make our
own special effects. We will use it as
I have said above, to intensify certain
as the smoke allows for beams of light
to show through. It will also look ghostly
and allow the villain to keep some form
of secrecy.






Golf ball/Golf club/Golf tee

These are three props associated with each
other. We had an idea to use them as forms
of weapons but the idea is very much in
planning stages.












Strobe light
A strobe light allows for time to look distorted and
real life movements to look blurred. They
can create a good time lapse effect with ease
and one of our group owns a strobe light so
it would be relatively easy to put this prop to use.






Smart ‘gangsterish’ clothing
This is part of the costume planning but
we still think it is a key prop as the appearance
of the character is important as the audience
will use this information to build a picture of this type
of character and what to expect from them.













Stereotypical lower-class youth attire
Again this relates to the costume of the character
but it is still important to seperate the two groups
within the plot.




 



Fake Cigar
This is a simple prop used to show the character
and attitude of the gangster. It is also a stereotypical
prop used to reassure the audience what type
of character they are watching and it adds to the
genre and feeling of the whole gangster vibe by
corresponding with connotations of the genre.

PLANNING: SYNOPSIS

Our production is going to be based on the genre of ‘crime thriller’. It involves two separate gangs wanting to lead a life of crime, they have been offered a job in the industry but there is only one position that can be filled, so effectively they battle it out by returning a package to the Boss first. Both gangs arrive at the package simultaneously in the place they are told to meet and the stronger group decide to take hostage of the other gangs ring leader. He is awoken in a smokey, grungey garage setting and then faced with the ultimatum of wether he wants to work for the opposing group and they become his boss or to face a life of torture. The story will cut as this scene begins and the audience will have to watch the film to see the outcome.

PLANNING: OUR IDEAL DISTROBUTION COMPANY

Handmade films are a British film production and distribution company. One of their biggest and most successful releases was ‘Lock, Stock and Two Smoking Barrels’ which is a film we have been influenced by whilst making our production. After finding out that they were affiliated with the film we did some research into the company to see if they would be a suitable distribution company for our production. They have also released films such as Monty Python's Life of Brian which shows that they are a diverse company with a very varied back catalogue. This would make it suitable for our film because it has the seriousness of ‘Lock, Stock and Two Smoking Barrels’ and other similar “gangsterish”/crime genre connotations but it is also quite unique in the way that it is modern and involves modern issues and modern day teenage characters. This is a selling point which I believe would interest a diverse label. They also released ‘127 hours’ which is based on a true story, this could relate to the real life, imaginable situation of Callum in our production.

In July 2010, Handmade was purchased for $6.1 million by a syndicate of Jersey based businessmen David Francis. This relatively low price for an entire company suggests that it is quite independent and it shows it isn’t as big as Warner Brothers or Miramax. For example, Disney tried to buy Miramax in 2010 for $700 million which shows just how big and powerful it is. However this is another factor that appeals to us and it would also appeal to a company investing in a film with no background as they would be unsure whether they would make any money.

PLANNING: INITIAL STORY IDEAS CONTINUED

With guidence from the previous post and a general idea of the direction we were going in, we came up with a couple of storylines we can later develop. We were going to have the film set in the 90's but we have decided it will be much easier, to make it modern day which will also allow us to produce a much better trailer as we will have a wider access to props. We can also involve more modern day technology duch as iPhones and technical lighting.

IDEA 1:

Main gang: group of middle aged teen kids.

One of the teens gets dared to smash a car window

He gets caught as there is an unseen person inside

The driver chases the boy down through streets and traffic and catches him

The driver (gangster) gets the teen involved into the gangster lifestyle and he grows up as the runt who turned out to be a stereotypical British gangster



IDEA 2:

A man hires a car from a car hiring showroom

That car was previously used to store, transport illegal drugs

The drugs were left side and the agency collected the car

The gangster’s lose their goods and set out to retrieve them

The new driver is just an innocent man who is unaware of the cars inviolvement

The gangsters track him down and give him trouble as they think he is playing dumb, he is simply confused and unaware

The hire car owner has retrieved the goods and they eventually track them back to him

The victim takes some sort of revenge

IDEA 3:

Youths are walking around a market/shopping place and the runt of the group is peer pressured into stealing something

they happen to steal from gangsters, they steal a coat which  has a gun in its pocket

the gangsters find out and track them down to retrieve goods

they put the gun online and get tracked down

the gangsters tie them up and confront them with an ultimatum, to be tortured or work for themcor in reference to our current favourite title 'be hired/higher-ed'.

PLANNING: INITIAL IDEAS

First we did a brain storm of potential scenes we could include in our production, they didn’t have to be in a particular chronological order but they helped us to distinguish a genre and to gain a starting point for our production.
This is what we came up with:

1) 90’s 4x4 parked up at traffic lights or at the roadside

2) We see the silhouette/full picture of a character coming towards the rear window (from the inside) with a baseball bat, swinging towards the rear window.

3) The window is smashed/attempted to be smashed in ‘slo-mo’

4) Blackout transitions to hostage scenes with strobe lighting

5) Light filters and strobes over dry ice

6) Tied up characters in a garage setting

7) Speedy, smooth camera movements

8) Characters in typical shell-suits or smart suits

9) Drug dealers

10) Car hire garage to make a link between gang and victim

11) Intricate camera positioning and movements

12) Effects in the editing process such as glare, blur and fading to black

13) Market scene where the runt character is pressured into stealing something

14) Overwatching Gangster typed characters

RESEARCH: FILM PROMOTION ***

Film promotion is a method of promotion used in the film industry in order to market a new production by enhancing publicity of a new production created by a film studio. Film studios may invest in expensive advertising campaigns to heighten awareness of a film and maximise film revenue early on in the release cycle. The most commonly used method of advertisement is through the production of trailers. Trailers are very important in the production of the film as they are instantly accessible to all movie-goers, as they are displayed at the beginning of a major film either at a cinema, or at the beginning of a DVD or Blu-ray disc. Trailers are hugely useful towards heightening the appeal of a production as they provide the viewer with the best possible experience of what to expect from the film, without watching the film itself. In a trailer, excerpts from a film are shown in a condensed manner for duration of around 2 and half minutes. This is most probably the most successful type of promotional technique as this method of film promotion is in the form of an audio-visual medium; this is the most useful insight into a film for people who have no previous knowledge of the production in question. It is also notable that the type of trailer for a future film is strategically accompanied with a major film of the same genre. For example, a film company may decide to display a trailer for a new, up and coming thriller film, with another thriller production in order to appeal to their target audience; people who enjoy watching thriller films, this is likely to heighten the popularity of certain films even further.

Another key technique of film promotion is the utilisation of film posters. Modern film posters consist of photographs taken from the film, accompanied by the title of the production, in addition, the name of the director or ‘stars’ that have participated in the creation of the film may be included, in order to appeal to a fan of previous work they have participated in. In certain cases a tagline is included to provide an insight into the tone or premise of the film. For example, in a comedy film, the tag line may consist of a witty remark or joke, a typical convention of the comedy genre, and something that is relevant towards the film. Movie posters are often displayed either inside of cinemas or on the outside of a cinema, to make the advertisement of the trailer easily accessible to film fans. Standees are often displayed in major cinemas in accompaniment with the film posters. Standees are large self-standing structures, usually taking form as a character for the film.

Film distributors may invest funds into television and radio also. It is estimated the Hollywood distributors invest over $4,000,000,000 a year into paid television advertising, which may consist of 30 second television advertisements. Funds may also go into product placement also. Television adverts are hugely successful, as it takes form as an audio-visual medium, whilst being very accessible to a very wide range of people. Film distributors may also invest in product placement, which is a technique which ensures that a film may either be mentioned in another television show in dialogue, or in the form of an on set poster. In addition to this, extended placement may occur, in which extended exposure is provided of the film on entertainment shows, such as popular UK chat shows (The Jonathan Ross Show), or news programmes such as ITN. Exposure may be provided on these shows to the film itself (by showing clips of the film), the stars in the film, or even the director. Film distributors may also utilise the internet in order to promote films. Viral marketing campaigns could be used on the internet in order to promote the film. A notable viral campaign was for ‘The Dark Knight’, a ‘marquee blockbuster’ which was released in 2008, in 2007 a website was produced in which the main tagline for the film was established, “Why so serious?” Also, the website contained a pixelated image, which was de-pixelated with every email sent by fans, the image revealed the release date for the film. This is a clever method of heightening appeal for a film.

In addition to television and the internet being used as a tool for film promotion, paid advertisement may be included in newspapers and magazines. Cross promotion may occur in the original novelisation of a film (e.g. Lord of the Rings); with a new cover jacket displaying the fact the novel has been made into a motion picture. Merchandising is also used as a tool for film promotion with paid co-branding, or co-advertising the film with another product (e.g. Aston Martin and 007). Promotional give-aways are often considered, most commonly with children’s movies (The Rugrats Movie) with special cups, toys and film themed options at fast food chains such as Burger King. Quite often promotional tours are conducted for high scale releases, in which the actors, directors and producers appear for television, radio or magazine interviews, with clips or outtakes from the film being displayed in accompaniment with the interview.

Before large production companies actually set about releasing a ‘marquee’ film, the distributors of the film conduct several types of audience research beforehand. It is estimated that over $1 is spent on audience research alone. Smaller ‘indie’ film producers have a much lower budget than larger ones; so as a result, no audience research is conducted by these companies. Large production companies will carry out seven distinct types of audience research beforehand. Firstly, the film distributor will conduct positioning studies, comparing them to releases at a similar time, this is to see how the film will fare financially, to see if there is much competition from other releases. Film distributors also proceed with test screenings of finished or nearly finished films that they have done. In addition to this, they test audience response to advertising materials. Six weeks before the film is released, tracking studies are conducted of audience awareness of the film. Exit surveys are also produced, which aim to question film goers of their demographic makeup and effectiveness of marketing. The film distributors also go about testing the title of the production in the early stages, with them recording the response to various different titles. Also, concept testing will occur in the developmental phase of a film, even before the film is produced. ****************

RESEARCH: GUY RITCHIE INTERVIEW ANALYSIS

Guy Ritchie Interview - Analysed
Click here for original interview.




I read an interview with Guy Ritchie where he was questioned on aspects of the film industry, and how he came to create the genre of his films. It has lots of references to crime which is very appropriate for our own production. I have chosen to do this because Guy Ritchie is the Director of ‘Lock, Stock and Two Smoking Barrels’ which has been the biggest influence on our own production.

I have taken out the most inspiring comments and the ones which relate to our production below.


“England no longer has the identity that we previously understood it to have. It's become international like New York has become international.”

This quote is a particular favourite of mine a it is so simply effective. It shows how England can act as a blank canvas for many different films. This opportunity allows for a large amount of creativity to make your production successful and unique.


As you grow older, do you approach criminals less romantically in your movies?

Guy Ritchie: Probably not. No, it's pretty much an objective view of crime on the whole. I try not to be ethical or moral about it. It's simply an observation and commentary on that observation. That sounded relatively intellectual…


As we have criminal activity and behaviour throughout, it is quite a key concept to us. This allowed us to see a professional view on the whole idea of portraying criminals in film. He states that he tries not to be ethnical or moral about the situation which gives him scope to produce any kinds of crime and if he avoids these stereotypes it is more realistic.


Have you ever met any sinister underworld members whilst researching your movies?

Guy Ritchie: Absolutely not. The criminal underbelly of society is heavily frowned upon by myself.

Really?

Guy Ritchie: Well, I will say that some of the ideas from past movies are based on things I’ve heard about. Take the pig feeding story in Snatch as an example. That's a cliché of how people disposed of bodies. Since then I've seen it pop up in several movies, but I had met the guy that used to remove the teeth before they chopped them up and gave them to the pigs.

This shows how the crime he uses doesn’t even need to be influenced by real life situations. He can think of an idea and turn it into reality which is inspirational and shows that anything can be done.

Was that a scary meeting?

Guy Ritchie: Now he's a grandfather. He's a lovely chap. He gives to charity, he runs his local football team and he looks like your average avuncular generous individual. So sometimes there's nothing exotic about the exoticism of crime. That's kind of interesting in itself – that sometimes people can do what we see as heinous and nefarious acts and to them it's just par for the course.

This shows how, even in real life character can have contrasting personalities where they might be a violent psychotic in one situation, and in another they might be a caring charity worker. This can be applied to our production as you may think the gangsters are stereotypical ‘hard-men’ when there could be a runt in the group who helps out the victim. By hiding his true characteristics it lets the storyline flow.

Wednesday, 16 November 2011

RESEARCH: TRAILER ANALYSIS 3


Here is a link to IMDB where you can click on 'watch trailer' to see it.

‘Saw IV’, written by Patrick Melton, is a horror/crime film, for young adult or mature teenagers. This is a sequel to the ‘Saw’ series, which are renowned for gory, torture films; this is emphasised by the clear connotation of violence in the poster. This would attract previous ‘Saw’ fans, and also people who aren’t aware of the series, but enjoy the horror/thriller genre.

The poster is mostly white/ pale-grey, which connotes purity, and since childhood, has frequently been associated with ‘good’ instead of ‘bad’. The shot is a close-up of a table setting, in a high camera angle. This signifies the emotion in the film, and the angle suggests domination and the power that is held by the gentleman setting the table setting. The image is of a gentleman, assumed the protagonist, placing a fork down in a table; the simplicity of the shot makes the audience focus on the bloody torture implements on the dinner plate. There is a subdued hint of perfectionism in the image, as the gentleman is wearing white gloves, commonly associated with cleanliness or medical work, and he looks like he’s straightening the fork into a the perfect position. This suggests to the audience that the gentleman in the shot cares greatly about the amount of work that has gone into this table setting. This foreshadows the later events in the film, where Jigsaw (the gentleman in the picture), shows psychopathic tendencies in his flawless torture methods and experiments.

Another feature of this shot is the presumed table that the place setting is on, it’s a previously used, metal surgery table; this together with the blood stained implements creates a disturbing image that strongly connotes violence and the hooror genre but also a fastidious surgical connection.
The lighting used in the shot highlights the feature of the poster. The plate is highlighted as the most important part. The lighting is reflected on the silver cutlery, as well in the red blood. The lighting is high contrast, which causes the entire image to be clear to the audience instead of a certain section or optical area. The title Saw IV‘, is the same colour as the crimson blood on the plate. The ‘Saw’ titles have always been the same red colour and font; this causes the title to be commonly known, which attracts the audience who are previous fans. This is similar to the production companies which are shown at the bottom of the poster. Companies such as ‘Lionsgate’, and ‘Twisted Pictures’, have a background in horror film production, which means that the film is created by the experts in the business.

The colours used in the shot, are primary colours, which cause different affects on the audience. Red is known as a primary colour of lighting, and this is the focusing colour of the shot. As the audience then notice that it’s blood on torture instruments.

Overall, the film poster seems minimalistic, but at second glance, the audience can un-cover a large proportion of the plot included in the film. The film poster is successful in the way that it manages to portray the protagonist and his flaws easily, which is effective, as the audience only see his hand.

RESEARCH: TRAILER ANALYSIS 2: BATMAN-THE DARK KNIGHT

This title is simple but very effective as it has a strong black background and the focus is purely on “The Dark Knight”. The blue suggests that the film isn’t about blood and guts and your typical hero-villain battle but your more mysterious comic book scenario. It also a neutral colour to represent that Batman wants to bring peace to the city and it isn’t in direct contrast with the black but it has a fitting tone. The title also has a double meaning in the word ‘Knight’ as it can be a reference to his strong, masculine character or the fact that we associate bats with the night-time as that is when they appear. The font type is also sans serif to keep it mature which also relates to the other batman films as they all use this idea, therefore it follows the trend. A bat logo also appears behind the titles after a very short time period and this reassures the audience that the dark knight is a direct reference to batman himself. It also appeals to all audience in its simplicity as anyone can read it, understand it, and most people could interpret the double meaning. The theme of the film is also present in the word dark, as the action parts of the film take place at night. The blue also relates to the blue filter used on the camera during the filming process as we see buildings and skylines highlighted blue.


The non-diegetic sounds used in the trailer are heavily edited and re-dubbed with intense effects to bring it to life and inject the true feel of action. Sound effects make the trailer exciting, they also help the audience to piece it together, for example we hear an intensified sound of a blade being drawn from a flick-knife which is very loud, we would normally not hear this at all but as we wouldn’t normally take notice of it, it diverts our attention to it so we know what the Joker is plotting. Other diegetic sounds include the explosion of the lorry as it flips over and Batmans wings as he swoops past. The orchestral music in the background of the trailer is also very powerful as it can control the emotion of the piece. It makes the piece epic as there are crescendos used to build up the tension as it develops. A particularly cinematic part is when the title appears and the music plays behind it, it makes Batman seem powerful and it draws you in.

As the Batman and Joker characters are big in the comic industry, it appeals to this audience by showing the logo of DC comics. This will draw in that fan-base as well as others who are interested in the genre of film. Another way of widening the fan-base is including the actor Heath Ledger as many know this was his last film and he won an Oscar for it, something very uncommon with an action film. This is also a unique selling point and helps the after sales of the film. For example, people today dress up as the Joker for fancy dress occasions so memorabilia is a key part of the batman films.

Monday, 14 November 2011

RESEARCH: TRAILER ANALYSIS 1 - LOCK, STOCK AND TWO SMOKING BARRELS


                                                                 Click here to watch trailer.

The titles that appear in the lock stock and two smoking barrels are not what you would expect from a crime thriller, but this is because comedy is also a big part of the film. However, they fit very well as they are heavily edited with things such as shadows and energetic transitions. The titles also fit the era of the film, 1998, as the lettering is not fancy. It is just straight forward bold lettering, which also has British connotations. This can also be seen in similar-era films such as ‘Starsky & Hutch’ and ‘Snatch’. They tell us the film will be serious, and they also hint at the type of comedy to expect. If it was soft, family comedy the letters would most likely be swirly, make some sort of picture or have a certain trademark font such as Shrek, the ‘S’ in particular as it has the Shrek ears.

The simplistic design is also very typical of the director Guy Ritchie, which suggests he would have had some input on the idea, his other films use little colour and are straight to the point such as ‘Rock n Rolla’ and again, ‘Snatch’.
This is the film title as it appears in the trailer. As you can see they are very easy to read, they are bold and stand out and they have the tilt so they connote comedy. The picture to the left is also quite funny as you wouldn’t expect that to be a serious picture of the typical ‘gangster’. They also have reference to Britain as the background of the ‘and’ is a union jack. The black background is also powerful as it something the reader doesn’t notice on screen, allowing them to take in this image fully and allowing the union jack to have a larger effect and not needing to be big to be noticed. The ‘pillar’ the characters appear to be stood on is red which is a connotation of blood and danger, things which are both a big part of the film and very common throughout with gun crime, car crashes and gang rivalry. The characters have also been edited into a silhouette which has comedic effect on the film, as they are just outlines however, they provide us with a sense of mystery and we want to match the characters seen in the trailer to the four seen above, this is a technique used to relate to the audience and make them want to watch it.
The genre is definatly a hybrid between Crime, Thriller and Comedy. It has reference to these three genres throughout and they are entwined perfectly. Crime is present with the involvement of weapons, drugs and gang rivalry. It is also a thriller because we are kept on edge as one gang member is caught by the other and held at gun point, and gang members hide in other gang’s houses for example. The comedy part comes across accidently through dopiness and stupidity of other characters. There is a scene where a character with a perm is shot and the bullet goes straight through his hair leaving behind a hole of smoke. As some of the genres are done to look accidental and some are exaggerated it becomes very unique and I think this is why the film is so entertaining and successful as it fits its niche. It relates to other films directed by Guy Ritchie such as ‘Snatch’ with the thriller and crime side which is why I think he found scope to add humour, this is another reason the hybrid genres are very well portrayed.

The film is rated 18 so the audience intended is of that age plus. I think this is very suitable for the film because of everything it includes such as weapons, drugs and sexual content. As well as this point, I think people younger than this age such as 14 or 15 would struggle to understand some of the connotations and struggle to fit the whole storyline together. The film could have to contain these elements in order to be successful so I think the certificate is perfect.

The trailer appeals to these by showing the more violent, yet comedic scenes and clearly hinting that the characters are gangsters and involved with the gangster lifestyle. Stereotypically we know this involves weapons, drugs and sexual content mentioned above so it is clear to the audience that the full version will be rated 18. They do widen the appeal of the film with comedy which could also be a bad thing as younger viewers might be tempted to watch it or secretly download it on the computer without parental consent; I would say this is the only negative connotation of the trailer.


Lock Stock and Two Smoking Barrels had a very unique selling point as it was one of the first successful British gangster crime thrillers at the time it came out in 1998. The fact that comedy and crime had been infused together, but still with its serious tone allowed it to be one of a kind and make it a desirable film to watch. I also think some people would have been able to relate to situations in it throughout or at least hear about the kinds or storylines in everyday conversation, particularly at that time in London as the film also involves lots of modern day issues.

The cast of the film also give it a high reputation and make it very creditable as it includes such actors as Jason Statham and Vinnie Jones. Jason Statham is quite a talented actor so the audience will enjoy watching his performance and he does all his own stunts, another respectable characteristic of an actor. Vinnie Jones is an ex Welsh footballer so he will already have had a largely accumulated fan base through that profession. He is also typically known as a ‘hard man’ so he plays the roll very well. The fact these actors portray the characters perfectly makes this kind of film very successful. In the trailer, the film was regarded as “Fresh, fast and utterly original” by Jonathan Foreman of the New York Post. His compliment will also encourage an audience.



The trailer begins with dialogue from the mouth of Vinnie Jones, he introduces the trailer with “rack them guns up, count the money and put your seat belt on”, this is diegetic sound. As you can see this tackles the issues of weapons, money and is followed by a humorous comment, neutralising and lightening the mood/situation. As this is the first thing you hear from the trailer before any non-spoken sound you can already get an idea of what the film is going to be like. Music then begins as a guitar chord is strung and a rock riff is layered above it. This runs along with a chase scene were Jason Statham is running away from the police and it provides the action seen on screen with a sense of energy.

In terms of non-diegetic sound, an American narrator then begins to say the reviews it has received over the top of the scene and praise how good it is giving it credibility. This is in direct contrast with the actual film as ‘Lock, Stock’ is very British, but I think buy the narrator having an American accent it mixes it up and makes it less confusing; if the narrator was English it wouldn’t work as well as they would all have similar accents and it would seem quite monotone, America is home to a large culture of film so this also adds to its credibility.

The fast tempo rock soundtrack continues to build a crescendo throughout as drums and percussion are layered on top, along with bass guitar. This makes us think it will be action packed, full of energy and chaotic throughout with lots of exciting features and scenes as that would fit the soundtrack we are hearing as do the scenes we are shown in the trailer. We also hear diegetic sounds and sound effects of money flickering, guns being reloaded and characters shouting which reassure the audience of what it will be like. Pauses in the narrative speech allow for characters to be introduced or say a few lines from the film, this is a way to tease the audience and leave them on a cliff-hanger which will make them want to watch the film. Halfway through the trailer the first rock song switches to a Classic Brit Pop song by Oasis, this adds credibility as they are a world famous band and it will be another enjoyable part of the trailer for people. Not only this, but fans of Oasis (which would have been millions of people) will be drawn to the film and may become encouraged to see it simply through this feature.